Delete

June 1st, 2010

 

I’ve been staring into the abyss of draft one of the novel—and it’s been staring right back at me (thx, Nietzsche!). I’m losing the staring contest.
One of the most brutal truths of writing is: sometimes you have to throw away every word you’ve spent days/weeks/months stringing together.
I am really bad at this. Some writers have an instinctual peace with this when it happens. They don’t necessarily like it, but have come to terms with the fact that tossing out a lot of work is part of the work.
I’m not one of those writers. Tossing away drafts makes me very uncomfortable.
I wind up going into contortions or having pointless, week-long staring contests with the draft rather than admit that it’s an unsalvageable piece of garbage. I mean, I eventually get there, but then I have another week where I essentially wail and moan about it before I can clear the decks and start again.
And now, it’s time I look away, hit new–>open and start all over again. The novel draft has fundamental problems that can’t be rooted out and fixed with fancy developmental editing. The world has gaping holes and the plot—well, there isn’t much of a plot.
And again, in the end, what I thought was going to interest me about the world of the novel and the characters wound up not being what interested me at all. This other thing, which is, at best, a small mention in the current draft, is the key and the pivot point—and what I think would make this novel worth reading. So, it’s back to some research and then drafting and word count and the beginning.
So, yeah. There goes ~75,000 words, *poof*. And I’m back where I started. A blank page and the irrational itch to tell a captivating story, the fear that I’m not big enough to tell a captivating story and the boundless hope that drives me onward—which can’t be quantified or understood.
OK, Blink.

 

 

In which I explain my scarceness

March 7th, 2010

 

I haven’t been updating this much—neither because I’ve forgotten it nor for lack of things going on in life, but mostly because this year has turned into a year of mysteriously rapid personal growth for me. It’s lovely, because in many, many ways, I’ve been stuck in a rut of the soul (or the spirit or the spark or inner life or whatever you’d like to call it), one that lasted since my mid-twenties. After a few years of near-operatic crises, which has urged me firmly onto the grounds of adulthood, it seems to be the time to care for my inner life…plus, start to actually do a few things I have always talked about doing before I die. You know the stuff.
Anyway, most of what’s been going on, I assure you, would be boring as fuck for you to read about—kind of, as if, I started posting long narratives recounting the plot lines of my dreams.
Everyone knows that other people’s dreams are dull; unless *you* are IN them.
Anyway, as for writing stuff, I am floundering around in the dreaded 20k-in novel mess that everyone warns about…when you don’t plot the work beforehand. Which I didn’t.
I refused to, stubbornly—and also because frankly, the pleasure I derive from the actual writing process, which is often painful and absurd, is the discovery process. I learn what something is about as I go—I mean, I have a general sense of character and theme and stuff I want to include, but everything else is fluid.
So. It’s time to break out the index cards and decide where this is going and how I am going to get there.
I’m also pleased to report that, although I don’t seem to be on the website, I’ll be a panel conquering professional at Norwescon this year. I’m hosting the FFS again this year, so come see me in a ridiculous outfit doing geek stand-up, but will also be, throughout the weekend, talking about writing, publishing, and something called “The Blogger as Public Intellectual.”
It’ll be a fun way to try and convince myself I know what I am talking about before I pack off to two weeks of solitude and writing frenzy at Hedgebrook.

 

 

Know what?

February 1st, 2010

I have has a few publications this year that are eligible for Nebula and Hugo nominations, if you were, you know, feeling the spirit.

Also, Brain Harvest is eligible to be nommed for a Hugo semiprozine, and Eden, Shane, and I are ripe for the editors short form category.

Just sayin’. You know. *kicks some gravel*

Gulliver grant

December 10th, 2009

The Speculative Literature Foundation has the 2009 Gulliver Grant press release up:

http://www.speculativeliterature.org/Grants/SLFTravelGrant/TravelGrant2009.php

I’m really excited and very honored. Looks like I was up against some serious competition, just from the announcement of the honorable mentions.

I am going to use the grant to offset expenses to travel from Seattle up to Orcas and Whidbey Islands, and then southwest to Ocean Shores (during various times in February, March, and April 2010)  for research for the book.

Tesla vampire whoo hoo!

October 17th, 2009

I was really happy to find out that my vampire alt history/vampire academia story–one I really like, but am aware was a weirdly hard sell for most places–was snapped up by Daikaijuzine today, and will appear in an issue at the end of December.

“Wanda’s Watching”

October 8th, 2009

My winning “worst cover letter” is now live in Poor Mojo’s Almanac(k). This was super fun to write.

New on Brain Harvest

September 28th, 2009

Miles Klee’s “Nurse on Terror Island.” Not your mom’s Little Mermaid.

Trivia point of great interest: you can read another great piece by Miles in Birkensnake 2–we are ToC mates. It’s a weird, cool feeling when you publish someone and are published alongside them.

Anyway, go do some reading. Good stuff.

My mini space opera

September 2nd, 2009

is now live at Birkensnake.

I wrote this story at Clarion West (in week 5), after a joking dare from Connie Willis on whether I could write a hard SF space opera in less than 2000 words. “Correspondence” weighs in at just over 1500 words, and was inspired by an idea seeded to me by my husband, Chris (who always wants more robot stories). It’s not a space opera in the traditional sense, except that it’s in space, has a hero, and a battle (of sorts).

I also highly encourage you to order a hand-bound, hand-singed (with a blowtorch!) copy of the mag. It’s a lovely object and a steal at 4 measly bucks.

Nice review of MBRANE #5 at Tangent

August 31st, 2009

And Steve Fahnestalk wrote a really nice blurb about my work*:

“As They Get Warmer, They Give a Little” by Caren Gussoff is a little techo-geek essay on the end of the world, sort of. Zack Leven works in a sim call center, but feels his hacking talents are wasted on the helpdesk. He also has a crush on the green-eyed receptionist. He’s hacked into a sim of the real world , but something goes wrong. We’ve read stuff like this before, but maybe not brought down to such a personal level. As reality apparently follows his sim, Zack gets a pair of really tight leather pants (“As they get warmer,” the salesman tells Zack, before slapping him on the ass, “they give a little.”) partly from need, partly to impress the receptionist. Nicely done, and by a Clarion West graduate.

Read the rest of the review here.

 

*Only note: Steve defines “didikai” incorrectly (from how I use it, to refer to myself). I don’t use it to mean non-Romany gypsy. I use it to refer to my own mixed blood–I’m half Rom, as y’all know.

Destination Future ToC

August 30th, 2009

Woo. Now that’s some fine company I’ll be keeping.

Table of Contents for Destination: Future, to be published early 2010, edited by Eric T. Reynolds and Z.S Adani.

“The Angel of Mars” by Michael Barretta
“When You Visit the Magoebaskloof Hotel Be Certain Not to Miss the Samango Monkeys” by Elizabeth Bear
“Memento Mori” by Sue Blalock
“Hope” by Michael A. Burstein
“Ambassador” by Thoraiya Dyer
“No Jubjub Birds Tonight” by Sara Genge
“Jade Flower” by C.E. Grayson
“The Gingerbread Man” by James Gunn
“Games” by Caren Gussoff
“Rubber Monkeys” by Kenneth Mark Hoover
“One Awake in All the World” by Robert T. Jeschonek
“Watching” by Sandra McDonald
“The Hangborn” by Frederick Obermeyer
“Dark Rendezvous” by Simon Petrie
“Encountering Evie” by Sherry D. Ramsey
“Monuments of Flesh and Stone” by Mike Resnick
“Mars Needs Baby Seals” by Lawrence M. Schoen
“Edge of the World” by Jonathan Shipley
“Alienation” by Katherine Sparrow
“The Light Stones” by Erin E. Stocks
“Embians” by K. D. Wentworth